On discovering a doppelgänger in an unlikely place.

“You see me struggling with this idea I was raised on that representation matters and everyone needs to tell their own story. But not everyone wants to tell their story.”

Very few movies are Bad or Good, Offensive or Inoffensive, Positive or Harmful.

In the last year a slew of movies have begun to presuppose, “What if queer women were out of their goddamn minds?” And that’s exactly what the musical genre needs.

Ivan Reitman’s second team-up of Arnold Schwarzenegger and Danny DeVito after Twins (1988) has a bit of a cult status in my queer friend group.

Thirty years after Stonewall (1995), there still hasn’t been a film that meaningfully captures this major LGBTQ+ historical event.

The Matrix blew open the doors for what action movies could accomplish — why hasn’t it led to more trans-focused action cinema?

Joanne, gets to be a cool, sexy, and morally complicated figure.

From Skins to Feel Good, these eight characters turned out to be life-changing.

“Justice for shower sex! It’s so controversial but I’m very pro.”

I’m talking about stories where the trans character’s transness isn’t the focus — where they’re allowed to be the worst behaved one or simply hot and getting laid or just really fucking good at their job.

“I am so sorry I made a wish on a monkey’s paw for a trans lesbian musical to get an Oscar nomination and it resulted in us all having to suffer through Emilia Pérez.”

To even say, Criterion’s Pride releases is a sign of our changed — and improved — times.

It’s time trans people get to showcase our desires, in all their variety, in all their complexity, in all their possibility.

“What an extraordinary middle finger to the whole apparatus! And I include myself in that.”

Trans people’s stories are being told but trans people aren’t being rewarded.

With films like Drive-Away Dolls, Love Lies Bleeding, and Challengers, the movies are sexy again. But I’m not writing this piece to gloat — I’m writing it to get greedy.

Drew Burnett Gregory writes, directs, and stars in a new horror short, and it’s available for you to stream!

“When you make the amount of money we made for Warner Bros. via the franchise it obfuscates most transphobia.”

Kelley O’Hara, executive producer of the new film Ripe!, wants to see more sapphic joy like her own on-screen.