Suranne Jones Excels In “Vigil” Season Two — But Its Romance (and Politics) Fall Flat
I love that Suranne Jones is being typecast as a woman who doesn’t suffer fools gladly.
I love that Suranne Jones is being typecast as a woman who doesn’t suffer fools gladly.
Moon Girl and Devil Dinosaur has casual queer characters and voice cast that includes Isabella Gomez, Indya Moore, Asia Kate Dillon, Maya Hawke, Alison Brie, and Robin Thede!
Clone High’s third season is able to escape the confines of that dreaded “revival series curse.”
What’s the line between the raw knuckled ambition of greed and capitalism that are at the root of crime genres, and the slimy, glamorous girlboss-ification of a notorious killer?
Given the opportunity to focus on Jackie — to build out her world, to deepen her connections with others — the show has always opted not to; instead, they just bring on more men.
Catherine Bohart has gained at least one new follower and fan.
While I was happy for Journey to be able to date, it felt like she was denied the opportunity to have age and experience-level appropriate encounters.
It’s very healing to see the Princess of Hell be a happy-go-lucky queer girl, living her best life with a girlfriend by her side.
Not only is the season a new kind of transition story; it also recontextualizes the entire show as a new kind of transition story.
SkyMed’s second season reveals one regular as bisexual and introduces three more queer women.
In just the first two episodes, this show has some of the steamiest scenes I’ve seen in a hot minute.
The offensive humor of the Ted franchise is called out by a queer character in the new TV series.
It’s not just that these narratives are harmful. It’s that they’re boring.
Netflix’s “Under Pressure” begins the work of re-establishing the USWNT as more than just pawns in someone else’s narrative. And to that, I can only say: LFG.
Technically, the premise of Fellow Travelers has all the makings of what could have become a beloved piece of queer media.
Queer chaos, self-destructive choices, and a downright wicked sense of humor give this show its bite.
In the movie, Ramona writes Roxie off as a bicurious fling, but in the show she’s just another ex.
“Unapologetic” may ultimately be a testament to a mother’s love for her children, but it takes the audience on a journey of her career that’s worth relishing.
There are killers among us. They’re on our TVs. They’re running our governments. They’re in charge of the companies that control our lives. Will we change our narratives? Will we stop them?
I could spend the rest of my life watching Lena Headey play queer. But, at the end of the day, I’m not sure we can add this one to the “win” column.