TIFF 2024: ‘Sad Jokes’ Is a Queer Story That Defies Genre
This is a very human film, but it’s also a very gay film with jokes that are sure to land even harder for queer audiences.
This is a very human film, but it’s also a very gay film with jokes that are sure to land even harder for queer audiences.
Chappell’s 2024 VMAs looks have unseated the number one spot.
Surely it must be, right?!
Here are all the gay highlights from the 2024 VMAs!
Maybe I didn’t always know I was ace, but I can’t say there weren’t signs.
Stewart’s adaptation of “The Chronology of Water” is IN PRODUCTION. Plus, more queer celeb updates from IG.
The wrongness of the servant/matriarch relationship does not preclude these encounters from being very, very sexy.
I’m glad we have lesbian cinema that goes beyond this narrative of homophobia and shame. But as long as homophobia and shame are present in our world, there will be a place for movies like Sweet Angel Baby.
Settle a debate for us: Is it still brunch if it happens before 10am, or is that just breakfast?
This started as an exercise in self-love and turned into an exercise in personal connection.
“I’ve started hanging out with him less because he’s just annoying at times.”
Let’s hop in my time machine and discuss what makes the women of SNL so hot — without once discussing their looks.
There’s a pressure on trans people and trans storytellers to frame transition as a wholly positive experience. Any negativity is supposed to be external.
Sasheer Zamata comes out as a “late-in-life lesbian,” ‘One Day at a Time’ cast will reunite for table reads, Melissa Ethridge did a Chappell Roan mashup, and more!
Gays! We love our villains!
Maybe something between “splashing water on my face” and “buying forty serums”
On Swift Horses is an unconventional queer love story. The person Muriel (Daisy Edgar-Jones) first meets is not a lover, it’s not even a woman — it’s her soon-to-be brother-in-law Julius (Jacob Elordi).
I pitched this quiz mostly as a joke and my coworkers were like “no, do that.”
For those familiar with the art of the “boob scoop.”
Through the lens of Durga Chew-Bose’s phenomenal new adaptation of Bonjour Tristesse, the central relationship — romance even — is between Cécile and her father’s old friend Anne.