Characters From Gay Cartoons as Zodiac Signs (by Someone Who Only Knows Astrology From Instagram Memes)
I AM AN ETERNAL FLAME, BABY!
I AM AN ETERNAL FLAME, BABY!
Horror has always been my favorite genre. I’m a very anxious person and something about having that anxiety externalized in a way that’s fun or cathartic has always really appealed to me. I like roller coasters too. How often is our fear so wonderfully contained?
Donzell and I had so much fun shooting this sketch that I turned to him and said, “I want to write a series of bizarre and inappropriate situations that our characters are faced with and have to overcome.” I created #TMI: A series that’s like the beautiful queer love child of a throuple including Noah’s Arc, Insecure and Sex in the City.
“Whether it’s the gay internet or a show like ‘Trinkets’ it makes it easier to be like maybe I’m not the one that’s wrong. Maybe everyone around me is wrong.”
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“Stephen Universe is a cartoon show about a little boy with a large mouth who wears flip-flops regardless of weather or situation. Rebecca Sugar made the show and she is bisexual. Stephen has imaginary friends who live in a big jewelry emporium in outer space famous for its ability to fuse different types of gemstones and rocks into each other.”
“I used to joke that it’s the song I want to get married to. And maybe I’m not joking.”
“This industry needs an overhaul. It’s clear the time for excuses is over now and it’s going to be about action.”
“Like many people of color and queer people, I’ve found ways to relate to a character that is nothing like me. As a poor, fat, Black queer woman I had seemingly nothing in common with a rich orphaned straight white man.”
Growing up in fandom, I gathered a long list of straight fictional ships without realizing until much later that I had been projecting myself onto the male half of those ships.
All I ever wanted to say is, “this thing that happened to me…is why I am the way I am.” But it was easier to deal with everyone else’s disappointment than to speak that truth aloud. I wasn’t strong enough for that. Annalise Keating was.
“Watching season four episodes — the feeling of normalcy, of connection, of being able to laugh. I’m so grateful to be with our fans and live-tweet. It’s almost like Tuesdays are the only time I know what day of the week it is! I put lipstick. I feel like a real person, just to sit in the before for just a second.”
“Everyone is going to want to have orgies after this.”
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In other words, straight people are not okay.
Throughout its eight episodes Work in Progress showed the value in being there for people even when it’s hard – and the importance of knowing when to walk away.
“Kate has finally become comfortable as Batwoman, in being a symbol of hope for Gotham City — but now she’s starting to understand that, as a symbol, she can do more.”
“Catfish has been serving diverse, bittersweet queer representation for almost a decade and it seems like nobody notices.”
We lost a lot of queer Jewish characters this year, and we’ve never needed them more.
“Emotionally damaged white women absolutely love to have their walls come down while they are pretending to be absolutely fine, thank you very much.”