I’m glad we have lesbian cinema that goes beyond this narrative of homophobia and shame. But as long as homophobia and shame are present in our world, there will be a place for movies like Sweet Angel Baby.
Settle a debate for us: Is it still brunch if it happens before 10am, or is that just breakfast?
This started as an exercise in self-love and turned into an exercise in personal connection.
“I’ve started hanging out with him less because he’s just annoying at times.”
Let’s hop in my time machine and discuss what makes the women of SNL so hot — without once discussing their looks.
There’s a pressure on trans people and trans storytellers to frame transition as a wholly positive experience. Any negativity is supposed to be external.
Sasheer Zamata comes out as a “late-in-life lesbian,” ‘One Day at a Time’ cast will reunite for table reads, Melissa Ethridge did a Chappell Roan mashup, and more!
Gays! We love our villains!
Maybe something between “splashing water on my face” and “buying forty serums”
On Swift Horses is an unconventional queer love story. The person Muriel (Daisy Edgar-Jones) first meets is not a lover, it’s not even a woman — it’s her soon-to-be brother-in-law Julius (Jacob Elordi).
If Pain and Glory was a reckoning with self and Parallel Mothers a reckoning with Spain, The Room Next Door is a reckoning with the entire world.
I pitched this quiz mostly as a joke and my coworkers were like “no, do that.”
For those familiar with the art of the “boob scoop.”
Through the lens of Durga Chew-Bose’s phenomenal new adaptation of Bonjour Tristesse, the central relationship — romance even — is between Cécile and her father’s old friend Anne.
But who among us has not been there?!
This film approaches a common narrative in a way we’ve never seen before — and not just because there’s a ghost.
Wynonna Earp is coming back with a ‘Vengeance’ next Friday the 13th!
It’s truly platonic, but your new girlfriend has some thoughts! Also, we share ideas for psychosexual power plays, just casually.
“Biographies normativize people,” Dr. Alexis Pauline Gumbs tells me. “It’s like: this is a person, they were born, they died, their life is linear, they’re only one person. My queer approach doesn’t necessarily agree with any of those things. Does our life begin when we’re born? Does it end after we die? Are we ever one person? Those are questions of queer critique that I live inside of.”
Particularly if you are into romance and/or ice hockey.