Results for: Feel good
-
Bobbi Salvör Menuez Is a Bad Liar
“I’m just so grateful that I got to work on Adam when I did. Literally six months before we started filming, I bought my first binder and went through a breakup with this cis boy I’d been dating.”
-
After Decades of Queer Filmmaking, Patricia Rozema Is Still Full of Ideas
“I’m mesmerized by how we need stories like we need air. When humans have time off, when they don’t have to feed themselves or their children, and they have a moment, they go to stories.”
-
Annette Haywood-Carter on “Foxfire,” Filmmaking, and Being a Queer Woman in Hollywood
After “Foxfire,” Annette was pushed aside and ignored. But she kept working — detours and frustrations included — and now she’s back with a new film and ready to move beyond for-hire jobs to direct the personal, artful work she should have been making for decades.
-
Maryam Keshavarz on “The Persian Version,” Translating the Iranian American Experience On-Screen, and Cyndi Lauper
“I was always bisexual. Even in college, I dated a man and a woman at the same time, and they knew about each other.”
-
Stewart Thorndike on “Bad Things,” Motherhood, and Her Childhood Nightmares
“The world is a frightening, frightening place, so I don’t really understand why every film isn’t a horror film.”
-
Auli’i Cravalho on Coming Out on TikTok, Midnight Heartfelt Queer Convos, and Hulu’s “Crush”
“Laying down next to a pretty girl in moonlight and talking about our feelings, like… it’s just movie magic.”
-
Todd Haynes on “May December,” Queer Community, and Making Art in a Vile World
“My connection with gay women is the through-line of my entire life. But my queer community, as a whole, is not reducible to sexual practice. It’s more attitudinal. It’s the way we look at the world and stand outside certain norms.”
-
Rowan Blanchard on Not Labeling Our Gay Comedies, Impressing Crushes, and Hulu’s “Crush”
“Crush being gay was way less important to me than it being funny.”
-
Stephanie Beatriz and Daphne Rubin-Vega on “In the Heights” and Queer Latinas Finding Love in the Everyday
“To really be in a moment where I could fully inhabit and celebrate all those things that we call limitations. Or let me say that better, what we perceive of as a limitation, being an incredible source of strength. I love that.”
-
Jamie Babbit on “But I’m a Cheerleader,” Barbie Sex, and Getting Bad Reviews
“That’s my whole junior high experience: No, I don’t want to be friends with you. I actually want to have sex with you.”
-
“The First Time”: Drew Gregory Made a Movie in Quarantine and it’s 15 Minutes of Pure Queer Bliss
The First Time is everything I’ve come to love about Drew’s writing over the last several years: smart hilarious, powerful, and deeply generous. And just heckin’ gay and trans.
-
Film Historian Jenni Olson on “Mädchen in Uniform,” The First Ever Lesbian Film
“They were like whatever we have dozens of lesbian bars, we have magazines, we have all of this culture, we have Marlene Dietrich, we don’t need this little girl thing.”
-
Ìfé Writer and Director Uyaiedu Ikpe-Etim on Decolonizing Nigerian Storytelling and Queer Love Stories
“Ìfé is a story that not many queer people have seen come out of Nigeria. I’m really hoping that, apart from everything else that it does – normalizing the queer experience and being a great source of representation – I’m really hoping that it brings joy to the LGBT community.”
-
Isabel Sandoval on “Lingua Franca,” Sex Scenes, and the Trans Female Gaze
“There’s a certain undeniable assertion of identity and personhood in seeing a woman think.”
-
Céline Sciamma on “Portrait of a Lady on Fire,” The Lesbian Gaze, and Queer TV That Gives Her Hope
“What is a happy ending with a lesbian love story? Eternal possession? We want a frozen image of two people getting married?”
-
Alice Wu on “The Half Of It,” Artistic Integrity, and Her High School Crush
“Being a closeted teen who wasn’t even aware meant I just listened to melancholy songs and imbued an unrealistic amount of meaning to them.”
-
“The Miseducation of Cameron Post” Director Desiree Akhavan Makes Queer Women’s Movies Because She Just Loves Queer Women
“I want to prove that money can be made off of women’s sexual stories. It’s not just a queer thing. It’s about women receiving pleasure, and giving pleasure. It’s still completely taboo.”
-
Kiersey Clemons’ Heart Beats Loud for Young Black Queer Women: The Autostraddle Interview
Kiersey Clemons talks to us about sliding into those Instagram DMs; her undying love for old school Disney channel; being an out queer black actress in Hollywood; and of course her new movie, Hearts Beat Loud!
-
Angela Robinson on Her Queer, Kinky Wonder Woman Origin Story and the Power of the Female Gaze
Also, of course: Who really killed Jenny Schecter?
-
Desiree Akhavan on Sex Scenes, Spectatorship, and Shooting ‘The Miseducation of Cameron Post’: The Autostraddle Interview
Behind every great indie film is a great woman. Or, as “The Miseducation of Cameron Post” shows, an entourage of them. Autostraddle spoke with director Desiree Akhavan about making the film that won the Sundance 2018 Grand Jury Prize for Drama and got gay teens in Montana on screen.