Welcome to the sixteenth episode of the fifth season of Glee, a series of commercials for individually wrapped slices of American cheese. This week, an itchy assortment of iron-clad Daughters of the American Revolution will be signing and dancing their way through a majority of your personal issues, including Sephora, face lotion, dim sum, CVS Extra Bucks, lip gloss and underwater lovemaking.
This week’s episode was a strange brew of Educational Film From Health Class, After-School Special and Glee. Also, there were no lesbians. I fear that this recap is not as funny as usual, but I hope everybody here understands that as CEO, CFO, Editor-in-Chief and head writer of Autostraddle.com and a very heavy participant/thought-leader in that thing I invented called A-Camp that starts in FOUR WEEKS, I have to sometimes just accept that “perfect is the enemy of done.” I learned that from Ariana Huffington and she is REALLY rich, so.
We open with a very interesting educational film that turns into a PSA about getting tested for STDs.
All the boys are dressed up like homosexuals. See:
http://youtu.be/OcCCa93Ur1M
Yup, this is gonna be an Issue Episode!
We return back to life and back to reality where a young Blaine Anderson is raving about the culinary delights available in this fine city of New York. Blaine loves food!
Blaine: “New York is the United Nations of Restaurants!”
Blaine: “If a croissant and a donut made sweet sweet love, their baby would be a cronut.”
In fact, Blaine loves food SO MUCH that now his pants don’t fit anymore!
Blaine: “Could it be the Freshman 15?”
Petition to The Universe to take that term out of circulation?
We then mosey on over to the hallowed hallways of Fake New York Film School Academy where Artie’s wheeling around and monologuing about all the hot girls he’s been banging since moving to the city where instead of being a nerd in a wheelchair who bagged three incredibly hot and mostly intelligent girlfriends, he is a nerd in a wheelchair who is bagging a series of casual lovers.
Artie: “At McKinley nobody wanted anything to do with me because I was a nerd in a wheelchair who tucked my sweaters into my pleated khakis. But here I do exactly the same thing, and everyone thinks it’s cool! In high school, I had to beg girls to go out with me, but here, I’m lady bait!”
Ladies love his experimental films and the version of Crash that you accidentally rented that one time thinking it was about drugs but it was about people who got sexually aroused by car crashes.
But Artie only has eyes for the lesbian from Friday Night Lights, who is known as “Julie” in this fine program.
She’s doing voiceover for his terrible film about a plastic bag floating in the wind. I think I saw this one at the Ann Arbor Film Festival. Then Artie sings “Addicted to Love” by Robert Palmer which is about hooking up with hot babes.
http://youtu.be/lU5qnR8CC4k
Artie asks Julie out on a date and she says she doesn’t date people she’s working with. Womp womp.
Over at Fake Julliard, Kurt and Blaine have apparently enrolled in a one-episode Stage Combat Intensive that undoubtedly will teach the young rascals how to joust with pool noodles and kill Tybalt.
Blaine voiceovers about how Kurt’s really gotten in shape and become a heartthrob with bulging biceps while Blaine binges on Cheetos.
Blaine: I’m actually feeling a little jealous. Back at McKinley, I’d be the one getting fawned over. I lifted. I boxed. I was in the Dalton Fight Club, for God’s sake.
Blaine laments that now Kurt is the “hot shot” and after his Gay Bash last week, a lot of people look at him as a hero and now he’s “leading man material.”
Blaine: “I’ve always known he could be that, but most people didn’t. I guess I’m just not used to Kurt being seen as a sexual object.”
We sweep on over to Chez Mercedes, where Sam and Mercedes are french kissing with all their clothes on when Mercedes interrupts the action to tell Sam that she’s a virgin and isn’t ready to get “too serious.”
Mercedes: I don’t wanna do anything until I know that I should.
Sam: Okay then, we can go as slow or as fast as you’d like to. You get to call the shots.
Aw, kids these days.
Cut to Serendipity, a delightful restaurant on the Upper East Side generally filled with tourists eager to consume a goblet of what chocolate ice cream becomes when it sits in your freezer for 1+ decades.
Sam wants his pals to accompany him to The Clinic so he can find out if he’s got any STDs in his pants before attempting to remove Mercedes’ pants. The boys are shocked that the terrific twosome have yet to Put The Tools in the Shed, but volunteer to accompany Samuel to The Free Clinic On 14th Street because getting tested is The Responsible Thing To Do.
Then the waitress arrives with their beverages and Kurt notes that a Frozen Hot Chocolate has been ordered on his behalf although he did not express a desire for one!
Blaine: “It’s my gift. Trust me, you and your crazy self-denial dietary regimen will thank me once you have one sip of this frozen hot chocolate.”
We then cut to the Doctor’s office, which’s about fifty times less crowded and calmer-looking than free clinics actually look in New York (trust me I HAVE BEEN TO ALL OF THEM), where a kind doctor informs Artie he has chlamydia.
Artie’s surprised ’cause he had no symptoms, but that’s typical. The good news is that he’s not a lady trying to get pregnant, for whom such a thing could be a major ish. Anyhow, the doc explains that it’s no big deal, he just needs to take some antibiotics for 7-10 days and he will be fine. But Artie feels really awful, as personified by this neat costume piece:
I felt like he looked a little depressing in that giant booger so I had Grace give him a little flair:
Later that same day at The Barbie Bushwick Dreamhouse Loft, the boys are enjoying some Premium Channels on Demand when Artie announces that he has chlamydia.
Kurt: How is that possible?
Artie: I don’t know how.
Blaine: Well, do you wear condoms?
Artie: No.
Blaine: Well, that would be how.
NICE.
Artie says the first time he tried to use a condom, he got nervous because they were locked in a cabinet and then it was “like putting on a tiny, greasy, banana-flavored wet suit.” Then Sam decides it’s time to slut-shame Artie, because he doesn’t know what slut-shame means, and I actually laughed out loud throughout this bit, so a tip of the hat to you, Glee.
Sam: No, Artie, okay? That’s… there’s no excuse. That is completely irresponsible! You have to wear one every time.
Blaine: Stop yelling. I’m sure he feels bad enough.
Sam: No, Blaine, this isn’t okay. Artie needs to be slut-shamed. I’m slut-shaming you, Artie!
Kurt: You’re lucky you just got chlamydia. I mean, you could’ve gotten something that can’t be cured.
Blaine: Yeah, you could’ve gotten somebody pregnant. Did you think about that?
Sam: Slut! SLUT SHAME!
Blaine says that Artie has to tell the girls he’s been roasting the broomstick with that he has the clap.
Cut to Artie telling the girls he roasted the broomstick with that he has the clap. His first lady lover totally freaks out that she’s gonna get a canker and calls him “Patient Zero” and also “disgusting” and says she’s gonna tell EVERYBODY about it so that nobody will ever want to Rub Bacons with him again.
The girl with an alternative lifestyle haircut is way cooler about it, she’s like yeah whatevs, okay I’ll go to the free clinic, who knows maybe I gave it to you, see ya later alligator!
Then The Lesbian From Friday Night Lights shows up to be small and adorable and crittery. She’s changed her mind about going out with him! She’d LOVE TO! They can have dinner tomorrow night!
We then traverse an unspecified distance to a church where Mercedes has taken Sam for unknown reasons. Sam has brought Mercedes a special present — it’s a “clean bill of health” from The Free Clinic! Mercedes says he is focusing too much on what’s on the outside and she’s still not sure about going all the way.
Mercedes has therefore taken Sam to church because she’s gonna check in with Jesus and see how he feels about the sex thing. This is bad news for Sam ’cause I feel like Jesus and God and those peeps tend to err on the side of “no” on these issues.
But first she’s going to sing an ’80s new wave hit to her preacher, specifically Foreigner’s “I Want To Know What Love Is.”
http://youtu.be/PfEwr8Ve8eo
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Your recaps are the only reason I know anything that’s happening on this show anymore (especially since there won’t be any Santana gifs on my dashboard this week) so ty as always!
Thank you Riese for constantly referring to Julie as “the lesbian from Friday Night Lights” throughout this recap. It made me feel like I got at least some lesbian exposure this episode.
It really hit me watching this episode that Glee is written the best these days when it’s about the gay boys. They are clearly the characters that the writers seem to understand the most.
I would also like to point out that the alternative lifestyle girl’s dyed hair matched the colors of the bi flag. (This must mean she’s one of us!)
I’m seriously gobsmacked at the radical differences in this Glee from the Glee we’ve had to suffer through for the past 2-3 years. Blaine and Kurt are incredibly mature, and Mercedes is an actual real character. They’ve made her BETTER. She’s not just “Hell To The No!” or “Tater Tots!” She’s a well-rounded character who’s front and center now.
Pinch me. This is unbelievable. I wonder what the show would’ve looked like if they had just followed the NYC path from the get-go in Season 4…
These were my EXACT thoughts this week about both the Kurt/Blaine relationship and about Mercedes. If this is what the new “young adult” glee looks like, I could really get used to this….
(As long as they bring back Santana and allow her in all this good character growth that’s going on. I always like her best when they give more serious themes anyway. Naya handles those plots like a pro.)
This. Exactly!
In the old days, Glee made everything likable and enjoyable, even the characters and the storylines that weren’t my favorites, because they found a way to make it all interesting and to get me to care about everything on the show. (Whereas, in the past few years, the quality of the writing dropped, and some of the characters and the storylines started to become boring/annoying/stupid.)
Glee is getting better again, and I’m so excited about it!
It genuinely surprised me how much I enjoyed this episode! This definitely the ONLY episode I have probably enjoyed that didn’t have Santana in it. Furthermore, I don’t think I was this into an episode since last season’s Shue/Pillsbury non-wedding and Quinntana sex! Which is funny because this episode in many ways was the exact opposite of random wedding night hook ups; it was about the delicate balances required to make serious relationships work and the necessity to sometimes “wait a while”.
I especially appreciated the gentle hand with which they handled the Mercedes/Sam storyline. Last night’s writer (I think Brad Falchuk?) mentioned that Amber had a role in shaping Mercedes’ dialogue re: her decision to wait, and I think it really showed. So many characters on glee jump each other’s bones at a drop of a hat, which is great and super realistic. I love, for instance, that they are FINALLY letting Klaine act like they have robust healthy sex lives for two 19 year olds (their shot down of Sam’s abstinence club? hysterical). It is my forever hope that if/when Brittana returns that they might get a similar upgrade in the equal treatment department.
But for some people, they need to wait. It’s important to them spiritually or for whatever other reasons that they might have. Maybe they are asexual and do not feel sexual desire (which, obviously, is not the Mercedes/Sam situation, but still, I like showing that not all couples have to have sex in order to be intimate with each other). All of that is important too.
I’m glad that they allowed Mercedes and Sam to have multiple honest adult conversations about what their boundaries look like, and that they both took time apart to think, before coming to a mutual decision that works best for them.
WHOOPS! That was longer than I meant to be. Sorry folks!
I don’t know how I feel about Mercedes storyline
In terms of the virgin whore dichotomy I think black female characters get it so cut and dry.
They either get pregnant at 15 and turn to drugs or they live in the church and pray everyday
It’s not that realistic
I really appreciate the Mercedes story line in this episode. Finally, there’s a likable character who wants to wait to have sex. Most of the time, any character who wants to wait is a bitchy, judgmental religious white girl (AKA, Glee season one with the abstinence club). I think it’s a really important message to send that you always have a choice to say no and that saying no doesn’t make you a judgmental bitch.
Also, I’m always a week behind on this stuff because I don’t pay for hulu plus, but these recaps are always hilarious.